Writing and unwriting (media) art history : Erkki Kurenniemi in 2048 / edited by Joasia Krysa and Jussi Parikka.
Contributor(s): Krysa, Joasia [editor.] | Parikka, Jussi [editor.] | Kurenniemi, Erkki.
Description: xxviii, 340 pages : illustrations.ISBN: 9780262029582.Other title: Erkki Kurenniemi in 2048.Subject(s): New media art -- FinlandDDC classification: 709.4897Item type | Current location | Call number | Status | Date due | Barcode |
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Books | NASSDOC Library | 709.4897 WRI- (Browse shelf) | Available | 54274 |
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704.943654 SAC- Sacred landscapes in Asia: shared traditions, multiple histories | 707.1 ART- Art School: | 709.04 THE- Theory in contemporary art since 1985 | 709.4897 WRI- Writing and unwriting (media) art history : | 709.54 COO-I Introduction to Indian Art: | 720.1 MAT-A Affective Spaces : | 720.103 BHA-S Stories of storeys |
Includes bibliographical references and index.
Archival Life -- Visual Archive -- Artistic Practice -- Science/Technology -- Music -- Interviews.
A critical mapping of the multiplicities of Finnish artist and technology pioneer Erkki Kurenniemi—composer of electronic music, experimental filmmaker, inventor, collector, futurologist. Over the past forty years, Finnish artist and technology pioneer Erkki Kurenniemi (b. 1941) has been a composer of electronic music, experimental filmmaker, computer animator, roboticist, inventor, and futurologist. Kurenniemi is a hybrid—a scientist-humanist-artist. Relatively unknown outside Nordic countries until his 2012 Documenta 13 exhibition, ”In 2048,” Kurenniemi may at last be achieving international recognition. This book offers an excavation, a critical mapping, and an elaboration of Kurenniemi's multiplicities. The contributors describe Kurenniemi's enthusiastic, and rather obsessive, recording of everyday life and how this archiving was part of his process; his exploratory artistic practice, with productive failure an inherent part of his method; his relationship to scientific and technological developments in media culture; and his work in electronic and digital music, including his development of automated composition systems and his “video-organ,” DIMI-O. A “Visual Archive,” a section of interviews with the artist, and a selection of his original writings (translated and published for the first time) further document Kurenniemi's achievements. But the book is not just about one artist in his time; it is about emerging media arts, interfaces, and archival fever in creative practices, read through the lens of Kurenniemi.
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